Many companies are creating new versions of their logos to bring attention to social distancing during the COVID-19 pandemic.
AudiMcDonald’s BrasilVolkswagen Daum, a Korean portal site. Original version (left) and updated version (right)
Other than the official versions, a graphic designer Jure Tovrligan tweaked the logos of some famous brands, reflecting how this pandemic is affecting our lives.
Hans Richter was a German painter, graphic artist, avant-gardist, film-experimenter and producer.
He was part of Dada art movement, and together with Swedish painter Viking Eggeling, Richter and Eggeling introduced an entirely new kind of artwork–the abstract film. He is well known for creating one of the first examples of abstract film, Rhythmus 21.
If you want to know more about his works, visit this blog.
This is the cover art for Joy Division’s debut album Unknown Pleasures, which was released on June 15, 1979. Over the years, the image has been remixed and reinterpreted in pop culture, adapted countless times as T-shirts, running shoes, oven mitts and internet memes.
The design is inspired by a “stacked plot” of the radio emissions given out by a pulsar, a “rotating neutron star”.
Unknown Pleasures blanket
Link to the podcast where the designer explains the origin and the meaning of the design.
I think a movie poster of one kind because it has to capture the main theme without resorting to flat out saying what it’s about. So I always enjoy looking at movie posters, both before and after watching the movie.
Whenever I need some design inspiration, I like going through minimalist movie posters. Although they may not be best for those who have not watched the movie yet, they always capture something essential about the movie in a very clever way.
Jennie C. Jones is an American artist working in Brooklyn. Her works incorporate ideas around minimalism, abstraction, Jazz, and Black history.
Some of her works are done on acoustic panels. Her works focus on the connection between sound and visual art, including her audio installations that explore experimental jazz, through the lens of minimalism.
Adam Pendleton is a conceptual artist from Richmond, Virginia, and his practice ranges from painting, silkscreen, collage, video and even performance. He is a young artist still in his 30s, but his works have been acknowledged and were shown in MoMA, the Whitney, the Tate Modern and many other places. He was also featured twice in Forbes’ 30 under 30 list.
We Are Not, 2019 Silkscreen ink on Mylar
His works rearrange words, forms and images and provoke reflections on cultural movements of the past like Dadaism and the Black Arts Movement. In his exploration of social cultural movement, he defined the term “Black Dada,” which he explains to be “about radical juxtapositions, i.e. bringing voices together in a way that disrupts easy logic and established history.”
“Black Dada (K),” from 2012, gesso and silkscreen ink on canvas.